In the Middle Ages, upper class Britons and other European nobility in castles or large manor houses dined in the great hall. This was a large multi-function room capable of seating the bulk of the population of the house. The family would sit at the head table on a raised dais, with the rest of the population arrayed in order of diminishing rank away from them. Tables in the great hall would tend to be long trestle tables with benches. The sheer number of people in a Great Hall meant it would probably have had a busy, bustling atmosphere. Suggestions that it would also have been quite smelly and smoky are probably, by the standards of the time, unfounded. These rooms had large chimneys and high ceilings and there would have been a free flow of air through the numerous door and window openings.
FREEDOM OF THE CENTRAL PART OF THE TABLE. Huge bouquets standing in the central part of the table most often look disharmonious, and also make communication between people who eat food difficult. A massive vase with large flowers is best replaced with a wicker basket or a decorative pot with several flowering plants. . LEARN THE COMBINATION OF FLOWERS FROM GREAT ARTISTS. If you have problems with self-selection of colors or using the classic color wheel seems too boring, then try to use the color scheme of paintings by great artists as an example. Choose the masters that are closer to you - Matisse, Monet, Klimt ... The list goes on and on. ORDER MANDATORY FOR A COLLECTOR. The best advice for collectors of medium-sized things, whether cat figurines or pebbles of an unusual shape, is to keep them grouped in one place, and not randomly placed around the room. Chaos from little things can spoil even a very decent interior.
OWNERS 'HOUSES AND DECORATOR - NOT OPPONENTS, AND PARTNERS. The optimal scheme of interaction with customers that decorators adhere to is a productive interaction, which is commonly referred to as "we". CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet. BIG AND SMALL IN ONE ROOM. The rules of scale, according to which the sizes of objects should correspond to the area of the room, have not been canceled. But in order for the situation to acquire character and expressiveness, it is worth a little to move away from its strict observance. One or two large objects in a small room will contribute to a visual increase in space. "YES" TO LACQUARIAN SHELVES. Shelves of intricate shapes can decorate the interior. But if you put books, figurines and other little things on them, then in general such a composition will look overloaded. Therefore, if you plan to use the shelves for their intended purpose, it is better to dwell on concise models. For example, on hanging shelves without a stand.
NEUTRAL DARK TONES - "CHAMELEONS". At first glance, neutral saturated tones, for example, dark gray, look boring. But in fact, with different lighting, they change color. So, dark gray in the morning will appear bluish, and at sunset it will have a purple hue. PEDESTAL OF HONOR FOR THE DECOR. In order to enliven a decorative composition, try to raise several objects, its components, over others. For example, on the dressing table, part of the bottles can be put in a tall fruit vase. Such a simple technique, which is often used by professional decorators, will give the interior depth and volume. PRINCIPLE OF SWING FOR FURNITURE SETTING. High furniture in the interior should be adjacent to the lower, so that the view slides up and down, as if along the path of the swing. By the way, this principle is also relevant for small interior details, for example, decor. If things of the same size are placed nearby, then the interior will seem overloaded in some areas and empty in others. WINDOW DECOR FOR RULES. Competent window decoration is able to cope not only with aesthetic, but also with practical tasks. So, if you hang the cornice 5-10 cm above the window opening, then visually the height of the window will increase. In a similar way, you can increase the width of the opening. To do this, choose a cornice, the length of which on each side of the window is 10-25 cm longer than necessary. Such techniques will not only increase the window, but also visually make the room more spacious and brighter.